Hirahi Afonso (Las Palmas de Gran Canaria, Gran Canaria, 1996) is a musician. For him, music seems to hold all the answers. His work moves through time like a device capable of connecting tradition with more innovative sounds, spanning a wide range of styles and rhythms through a kind of polyrhythmic craftsmanship.

He is part of a generation that has redefined traditional Canarian music, expanding its boundaries and possibilities. His approach moves beyond a conventional understanding of the timple, incorporating influences from popular music, electronic, folk and flamenco. In his sonic universe, the timple acts as a central thread, placed at the core of a contemporary language that repositions the instrument within new contexts and ways of listening.